简介：该剧讲述了:陈实来到严真☎㍿真的公司，再次把辞呈囍递交到严真真的面前，✁严真真装可怜说陈实落井下石，叮嘱陈实☐就算辞职也要把手头✁的工作做完，陈实没有☳✄过多考虑，答应了。对☲于剧中呈现的婚恋观♤，《大好时光》从“✂不婚男”入手，通♡过对于“不婚者”的诠释，该剧☳유传递给人一种年轻人√“不负大好时☏❄光”，“该爱就爱，该结就结”的☑正能量，让人通过一部电视☐剧能够有所✈启发，选择最适✁合自己的生活。Sc☝☂orsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.详情